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The Cinerama screen itself provided the impression of a single, constant surface that was not in truth there. With sound movie, speakers were positioned in back of the screen, and the screen needed to be shot filled with tiny holes to enable for sound transmission. This perforated screen stays a standard for theaters to this day.

In reality it would be not accurate to say that no image exists till the screen acts upon it, reflecting light back towards the audience in a manner that permits analysis of a meaningful image even if the screen actually pieces that image. This leads us to acknowledge the one constant of screen technology: it needs to always use adequate light reflectivity to produce an image that is clearly noticeable to the entire audience.

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With the sound screen, for instance, could you have perforations adequately large to transfer sound yet sufficiently little to remain imperceptible to the audience? While the holes do not interfere with the illusion of the image for the majority of seats, they do nevertheless constantly affect reflectance. Screen reflectance, then, is no basic matter.

For one thing, issues in satisfying the demands of the screen's one technological constant of enough reflectance were as conducive to a close-up style with shallow focus as the issues created by architectural space. Moreover, at low illumination levels shallow focus helps an object stand out versus background more powerfully than it would in a dramatically defined image which provides all objects equivalent value.

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Danah Zohar (born 1945) is an American-British author and speaker on physics, approach, complexity and management.  Find Out More Here  and work [modify] Zohar studied Physics and Approach at MIT and did postgraduate work in Philosophy, Religious Beliefs & Psychology at Harvard University. She is Going to Teacher in the College of Management at Guizhou University in China.